TEMPE, Arizona (November 16, 2020) – When distance learning involves overseas students studying music, a Zoom call isn’t quite good enough. So, on Oct. 22, Cathal Breslin, assistant professor of Piano in Arizona State University’s (ASU) School of Mus
In October 2020, German keyboard artist Tobias Schmitz (also known as EINS ) performed a uniquely modern, socially distant musical happening centered around the connectivity of the Disklavier. The location, Trier's Porta Nigra, is the largest remaini
Freiburg University of Music is a prestigious international music college, which has trained students from countries and regions all over the world and has produced many renowned musicians since its opening in 1946. Prospective students come from all
Let's face it, most musicians and music educators won't be working in live venues in the near future. If we want to keep playing live, or if we need to create appealing music education content, we need some solutions right away. Luckily, there are just a few tips and low-cost accessories you can add to your home teaching/playing enviroment to make a HUGE difference in the quality that your listeners experience. You may already even have some of these at home.
When the 2020 MTNA Conference became the 2020 MTNA Virtual Conference, Yamaha provided three all-new showcases, created especially for helping schools and teachers teachers adapt to new normals of distance learning, working from home, and plann
(from the Yamaha MusicUSA blog) Thanks to longitme DEN enthusiast (DEN-thusiast?) Stella Sick, The Cincinnati Orchestra, and Australian piano roll enthusiast and digital music engineer Peter Phillips, George Gershwin appeared in a posthoumous perform
Dr. Pamela Pike, Associate Professor of Piano Pedagogy at Louisiana State University, has been using the Disklavier as a distance-learning and pedagogical tool for as long as just about anyone. Last year (2016), she had the idea to incorporate these technologies into her graduate students' service learning requirements, and she monitored the activities with a properly empirical study of the efficacy of the idea. Her findings were recently published in the International Society for Music Education (ISME) Journal, and we spoke to Dr. Pike about the process.
Yamaha artist Dan Tepfer has long embraced the Disklavier as a performance tool. Using the Disklavier's ability to send and receive data in real time, Tepfer combines algorithmic computer programming and MIDI-driven visualizations to produce unique performances in which the piano becomes an equal partner to the composer.
Musicians in three locations – University of California (Davis, Calif.), SFJAZZ (San Francisco) and New World Symphony (Miami) – performed together simultaneously, in two time zones, in [YET ANOTHER] extraordinary live musical event, thanks to Yamaha Disklavier Remote Lesson technology.
Pianist and media artist Xiao Xiao craftily blends projections, interactive software, and, of course, a Disklavier, to expand the experience of being at the piano. We are delighted to have recently discovered her work, mostly created as part of her PhD studies in the Tangible Media Group at the MIT Media Lab.