Menu

The Yamaha Disklavier Education Network

Latest news, tips and musings from Disklavier professionals.

  • Home
    Home This is where you can find all the blog posts throughout the site.
  • Categories
    Categories Displays a list of categories from this blog.
  • Tags
    Tags Displays a list of tags that have been used in the blog.
  • Login
    Login Login form

The Disklavier Frontier

Yamaha's My Music Recorder iOS app has been around for several years, providing a cute and handy way for students, teachers, and parents to keep a video record of practicing, as well as share achievements on YouTube. Now, a hidden feature will also allow Disklavier (E3 and Enspire only) users to create and play back VIDEO SYNC performances without the cumbersome tether of audio cables! Here's how it works:

1. Connect a MD-BT01 or UD-BT01 Bluetooth MIDI adapter to the MIDI jacks of your Disklavier. (For E3, don't forget to select the MIDI input/output you are using: MIDI or USB)
2. Launch the My Music Recorder App
3. Click the gear wheel icon to connect Bluetooth (you'll get a reminder if you do not already have Bluetooth enabled on your device)

Here's a tweet from our friends at Yamaha Canada to show how it works!



Composer, performer, and music theorist George E. Lewis recently joined Kennedy Center Artistic Director for Jazz Jason Moran in a special performance celebrating the 35th anniversary of the MacArthur Fellows program. Lewis and Moran are both past MacArthur Fellows, named in 2002 and 2010, respectively. In discussing the work, Lewis detailed the setup of the one-of-a-kind performance, enthusiastically drawing on his 25-year history with the Disklavier, calling it a "reliable instrument, great instrument, great sound." 

Later in the discussion, Lewis makes analogies between musical artificial intelligence and computer-controlled anti-lock brake systems or even the Mars Rover, driving the point that there are many parallels between musical interaction and the operations of the everyday world. 

The work, essentially an improvised chamber piece for piano, trombone, and computer-controlled Disklavier, incorporates electronic elements, namely a degree of artificial intelligence, without any electronic sounds. The computer programming "listens" for musical elements via audio of the live players, then interprets them and interacts via the Disklavier. 

In addition to creating the Voyager interactive music performance software used in this performance, George Lewis is the author of The Oxford Handbook of Critical Improvisation Studies, a two-volume work that examines the process of improvisation both in and out of the arts. 

In a pinnacle event for Yamaha's Disklavier-based Remote Lesson technology, Maestro Byron Janis has conducted a long distance masterclass from Yamaha Artist Services in New York City, with students of the Moscow Conservatory. The event took place Sep. 28, 2016.
Posted by on in The Disklavier Frontier
Pianist Daniel Koppelman plays a Disklavier connected with Gestural, a program authored by composer Christopher Dobrian to interact improvisationally with a live performer. The list of composers, arrangers, and multimedia artists using Disklavier in their work today is this century's A-list of innovators in music-making: David Rosemboom. Tod Machover. Steve Horowitz. Kyle Gann. Eve Egoyan. JB Floyd. Christopher Dobrian. Robert Black. Xiao Xiao. SO MANY others. With this list growing by the minute, we would like to carve some space here at the DEN to explore some of the many ways today's musical creators have put our favorite instrument to work, sometimes testing its limits.
b2ap3_thumbnail_Tessero_MickysNose.jpg
For those of you who don't know me: I grew up at Walt Disney World. Literally.

While most families took annual or even bi-annual trips to the resort, my family moved there when I was 9. I can sing every long-forgotten attraction song (even the ones played in the queues), tell you who arranged and orchestrated every firework show, and have grown to become friends and colleagues with my heros of that musical legacy.