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Blog posts tagged in Composition
b2ap3_thumbnail_Tessero_MickysNose.jpg
For those of you who don't know me: I grew up at Walt Disney World. Literally.

While most families took annual or even bi-annual trips to the resort, my family moved there when I was 9. I can sing every long-forgotten attraction song (even the ones played in the queues), tell you who arranged and orchestrated every firework show, and have grown to become friends and colleagues with my heros of that musical legacy. 

Posted by on in The Disklavier Frontier

Award-winning
composer John Nichols, III first wrote for the Disklavier to create Pillars (excerpted above), which won the Conlon Music Prize in 2013. Though Pillars was written more or less within the scope of what someone could play with two hands, Nichols' subsequent works have challenged that notion altogether.
Most of our DEN discussions about composition involve how to make the Disklavier most accurately record or perform in special circumstances. Many composers like to use Disklavier to explore rhythms and speeds that are beyond human playability. We've dealt with MIDI ins and outs, prepared strings, algorhythmic mutations of playing, you name it. 

Composer Hans Tammen turns all of that exactitude on its head, exploring the sonic creations made possible by the LIMITS of the Disklavier's own mechanical elements. In Music for Choking Disklavier (2006, Clang) Tammen built projects in the authoring environment Max/MSP to tax the Disklavier BEYOND its limits of velocity and data. In some moments the volume is set too low to make the hammers actually strike strings, producing extended spans of muted rhythmic thumping. In others, data overload causes the Disklavier to "choke", punctuating spans of silence with clumps of note-data all at once. The result is an eerie soundscape with its own beauty and interest. Don't take our word for it, though--listen for yourself!

What's the most unusual thing you've ever done with a Disklavier? Let us know! Email This email address is being protected from spambots. You need JavaScript enabled to view it. .
Legendary Pianist Teaches Remote Lesson Masterclass to Moscow
In a pinnacle event for Yamaha's Disklavier-based Remote Lesson technology, Maestro Byron Janis has conducted a long distance masterclass from Yamaha Artist Services in New York City, with students of the Moscow Conservatory. The event took place Sep. 28, 2016.
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The DEN Welcomes Hartt School of Music!
West Hartford, Conn. (PRWEB) September 19, 2016University of Hartford's The Hartt School has selected a Yamaha Disklavier CFX concert grand piano (DCFX) for its soon to be renovated Millard Auditorium. The award-winning reproducing piano will be permanently housed at Mi...
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21st Century Composers Choose Disklavier
The list of composers, arrangers, and multimedia artists using Disklavier in their work today is this century's A-list of innovators in music-making: David Rosemboom. Tod Machover. Steve Horowitz. Kyle Gann. Eve Egoyan. JB Floyd. Christopher Dobrian. Robert Black. Xiao ...
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